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There are pots in this collection that are spectacular because of the complexity of their design (cf 1999-10). Seedjar 2020-19 is spectacular because of its simplicity of form. I also respond to its form because, for me, it recalls Nampeyo, whose name can be...
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After Nampeyo became functionally blind around 1920 and could no longer paint, she began to add more tactile decorations to the pottery she continued to form (Kramer, 1996:123, 153). Generally such decorations were pressed into the wet clay to give the impression of...
